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BIOGRAPHYBenoit Malphettes (1946-present) is a French-American photographer born in Bordeaux.
At the age of six Benoit, after receiving a Kodak Brownie camera, learned to develop his film in a small closet at home and his passion for photography was sparked.
Yearning for a better camera, he got a 35mm camera that quickly marked a significant advancement for his future career.
In his early teens, Benoit's mother brought him yearly to the fashion shows in Paris of Coco Chanel, Yves Saint Laurent, Christian Dior, as well as others, exposing him to the high fashion world of the 50s and 60s. These magical moments became a fundamental stepping stone in his professional life.
Following his cum laude graduation from the Jesuit School of Tivoli, Benoit decided to skip college and went to work at the famous photo lab \"Rue Delambre” in Paris. There he learned to interface with clients and understand the inner side of the photography industry.
Benoit’s mentor, Marie-Louise Bousquet, the Paris editor of Harper's Bazaar, introduced him to French Vogue when he was 20. Through this period, Benoit created spreads and covers.
In 1967 Benoit moved to the Chelsea Hotel in NY. That is when he was introduced to Richard Avedon and Irving Penn, altering his outlook on photography immensely. They both introduced him to the 8x10 large format.
In the fall of 1978, Benoit successfully brought fashion photography to the West Coast.
He met the renown Creative Director Katherine Burns, eventually marrying her in 2013. They retired in the charming Riverside in 2016.
Benoit received awards in recognition of his creative practice from and the California Journalism Award for his portrait of Dr. Sterling Stuckey. His latest work, “Open to Interpretation” is a series of introspective still life that was exhibited at the San Bernardino County Museum and was featured in ArtDoc Conceptual Vision issue.
In 2018, his work was acquired by New York’s Museum of Modern Art (MoMa) for their exhibit “Is Fashion Modern”.
Still Life Project in the works. \nIn the meantime: click here
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Benoit has now turned his lens to a collection of objects he has gathered over the years. He deliberately disengages them from their static existence by combining them with unexpected company or placing them in provocative or threatening positions until new emotions emerge -- fear, anxiety, lost love, death...
Benoit turns decay and forgotten memories into fantastical imagery reminiscent of the still life paintings of the Dutch Golden Age. But with a twist.
These pieces do not require an \"artist explanation\", they exist to inspire a personal feeling from the viewer. For this reason, a unique addition to Opening Night will be the opportunity for guests to write a word, or few, of reaction after examining each print.
Indeed an exhibit \"open to interpretation”
THE MERCHANTS OF RIVERSIDE
January 2, 2016.
\"I started writing this column while sitting in Molino’s Coffee in Downtown Riverside . The shop was full of college students – I was probably the oldest person there – sitting with their eyes focused on their laptops and tablets or the many other devices scattered among them, sipping vanilla lattes or coconut green tea and nibbling on chocolate chip cookies.
Being there reminded me why the places that make up our communities are so important. It is where we gather to meet friends…congregate to be connected to other people…and spend money on items and services we need, building a local economy, and allowing our cities to flourish and thrive. That is the reason I enlisted Benoit and Kathy Malphettes in what has turned out to be a year-long project to highlight some of the city’s most recognizable and unique small businesses.
The Merchants of Riverside started as a small photo essay project for the VOICE that combined the artistic portraits they created accompanied with short essays on local business owners. The project is now much wider in scope and includes a collection of large scale fine art prints which will be exhibited at the main gallery of the Riverside Art Museum.
I met the Malphettes five years ago at Jammin’ Bread in Canyon Crest, one of the merchants we’re featuring. They were new to town, having just retired from successful careers in fashion and portrait photography. We would often chat as we waited for our lunch orders and soon realized we had much in common. Jammin’ Bread, over its almost two decades in business, has become one of those places that bring people together. I have made some good friends there over the years, people I look forward to seeing every week.
As a team, we worked on a list of businesses to feature based on geography, diversity, and uniqueness. Some have been in business for over half a century and others are just getting started. All have chosen to make Riverside their home. All contribute to making the city a great place to live.\"
This exhibit was proudly sponsored by Wells Fargo Bank and New York Life.
-Dr. Paulette Brown-Hinds
Dr. Paulette Brown-Hinds PhD, is the founder of Voice Media Ventures and the second-generation publisher of the VOICE and Black Voice News. She was elected to the James Irvine Foundation board in 2018 and resides in Riverside.
\"The best camera is the one you have with you\"
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It is 5:30 in the morning. Benoit sits in front of an empty backdrop and let his mind go, giving it as much space as it wants. Then he composes and photographs as a spectator of his unconscious, fully aware of keeping at bay the vigilance of reason.
In an uncontrolled manner, he searches for artifacts he has collected over the years. Odd objects, fragments, old documents, anything, until the moment he no longer sees them for what they are but, instead, follows them within the world they invite him in. He slowly listens to their stories; this one was sad, this one is beautiful, this one not so much, this one he uses daily, this one is useless. He then deliberately separates them from their static existence by combining them with an unexpected fate, affliction, fear, heartache, solitude, senescence - emotions that, sooner or later, accompany us in our journey. Many of those photographs are autobiographical and reflect his Jesuit education and his familiarity with French Art.
Coming from a photographic film generation, he has transitioned to a high-end digital approach in his work by using a technical camera; this has allowed him to combine the traditional photographic discipline with the advantages of digital technology. Indeed, the viewer will discover explicit or diffuse associations that may or may not have anything to do with his personal views. Still, the symbols are all there for the audience’s choosing, from time irreparably slipping away from us to the inescapable truth of death, all skillfully camouflaged by our daily subterfuges.
Sometimes, he tries to explain to himself the strange and disparate concoctions suggested by his photographic work but mostly, he is left with more questions than answers.
Every image embodies a way of seeing.
It is August 16, 2016. Temperatures were nearly at 100 degrees. Winds gusting at 30mph. A fire erupted along Cajon Boulevard between the San Bernardino and San Gabriel mountain ranges. The fire, which became known as the Blue Cut Fire, quickly tore its way through the Cajon Pass; ultimately, closing the major transportation route between Los Angeles and Las Vegas for two days. \n
Shortly after the Blue Cut fire destroyed over 37,000 acres in the Cajon pass, Paulette Brown-Hinds, publisher of Black Voice News, and Benoit Malphettes spent the afternoon taking pictures of the destruction. At the time of their visit, spots of trees on the ridge were still smoldering and wind-whipped ash filled the air.
Month after month he returned to the area again and again, in different weather…seasons…times of day. His pictures moved into translating the fury of the fire and the fear and devastation it left behind, to the promise of renewal as spring emerged. It may have started as an exercise in documentation, but it became something more. Through Benoit’s lens, as photographs are an interpretation of the world, then the charred Blue Cut landscape resembles abstract art.
Benoit Malphettes’ unique vision of the landscape, ruined by the Blue Cut fire, reminds us that beauty and art can be found in anything. And through his lens, we can all see nature’s own cycle of rejuvenation and the hope that comes after loss.
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- Born March 14th\n\nUncle gave him the Kodak Brownie when he was 6. Uncle dreamed of being a photojournalist but Benoit's industrialist grandfather stopped him. Forced him into the concrete business. Helped benoit develop in a little darkroom at home in a closet. Took pictures of family and friends. At six years old Benoit got books on how to make darkroom prints and how to properly expose film. (LP Clerc’s Photography 1-6) Was given his dads Kodak Retina at 12 years old. The 35mm camera was a big upgrade over the 2 ¼ of the brownie. First introduction to the standard focal length. Started to take pictures of the french landscape. After educating himself through photo books, Benoit got his first light meter. (Weston) Started by just taking pictures but slowly started to learn how to visualize them. At 14 years old, he saved up his money to buy a used 1953 Foca PF3 from the only camera store in Bordeaux, France. First professional camera. Would set it on his nightstand at night and fall asleep to the smell of fresh leather. His mother lived in Paris, and would take him to fashion shows Coco Chanel and introduced him to the world of 50s and 60s high fashion. He fell in love with the models and their clothes. Would also attend shows for Yves Saint Lauren, Christopher Dior, and Hubert Givenchy. Graduates from school, moves to Paris to work at a photo lab called Rue Delambre. Learned how to process film for clients. Taking lots of pictures for himself and developing his technique. At age 20 got a job at Vogue through his connection with Marie Louis Bousqet (Paris Editor of Harper's Bazaar). Started working doing still life photography on a 4x5 Sinar. Being self taught up until this point, In 1967 realized he needed to perfect his knowledge of photography. Benoit Left Vogue to move to New York and lived in the Chelsea hotel for two years. While in New York he was introduced to Richard Avedon and Irving Penn, altering his outlook on photography immensely. Put him in the direction of perfection. This is when Benoit decided the 8x10 large format was meant for him. At 23 Benoit went back to France and worked as a commercial photographer until 1974 when he was drawn back to the energy of New York. After moving to New York, work as a fashion photographer was scarce and benoit hustled to make a living. In the fall of 1975, benoit made the decision to move to Los Angeles after discovering an untapped market. All of the big catalog companies on the west coast outsourced photographers in New York. Worked for a big catalog company to make a living while independently studying technical photography and fashion. Saved up his money and invested in his own studio, across the street from Robinsons and Bullocks’, Knew that he would be able to capitalize on their business and make a name for himself. Spread his wings and everything took off. Reputation started to spread that there was a photographer in LA that could do work that was equal in quality to that in New York. Being one of the few people of that time period to operate an 8x10 gave him an edge over his competition. Benoit chose to work with Ish, to develop his kodachrome slide film. This led to an influx of opportunity as Benoit worked for clients including Vogue, Pattern, Essence and more. Benoit excelled as a fashion photographer until he retired in 1995 to settle down with his wife Kath\n","size":{"content":{"width":0,"height":0},"thumb":{"width":0,"height":0},"bytes":0,"featuredImage":{"width":0,"height":0}},"overrides":{},"dateAdded":"2024-06-09T20:41:07.473Z","filters":[],"linkTarget":""},"11245":{"id":11245,"label":"BENOIT-Transparent","caption":"","type":"image","content":"BENOIT-Transparent.jpg","size":{"content":{"width":4262,"height":4704},"thumb":{"width":0,"height":0},"bytes":374705,"featuredImage":{"width":0,"height":0}},"linkTarget":"","filters":["Landing Media"],"dateAdded":"2024-06-10T19:53:50.515Z","overrides":{},"keywords":[]},"11246":{"id":11246,"label":"","caption":"","type":"html","content":"
Here you can put all the words you'd like for the articles if you like?
He now uses a technical view camera, the digital-age version of the large format that allows him to retain the magical art of his film days. It also allows him to enjoy the skills accumulated during his four decades of work.
Benoit’s photography is represented in the permanent collections of public institutions, several museums, and numerous private collections across the US and Europe. Since 2015, his work has been featured in three solo museum exhibitions and was part of the “Facing Fire” exhibit at the California Museum of Photography. His latest work, \"Open to Interpretation,\" is a series of introspective still life that was exhibited at the San Bernardino County Museum in 2023 and was featured in Newspapers and Magazines like ArtDoc Conceptual Vision issue.
In 2016, Benoit received a Resolution from the State of California in recognition of his long history of creative practice and the California Journalism Award for his portrait of Dr. Sterling Stuckey. In 2018, his work was included in New York’s MoMa exhibit “Is Fashion Modern.”
ICONIC FASHION
Since accompanying his mother as a child to the fashion shows of Coco Channel, as always seated in her legendary stairwell or Yves St Laurent in his first Atelier rue Spontini, fashion was already at the forefront of Benoit’s goal.
Being very young, he had the creative freedom to be experimental with his photography. His remarkable ability to work with people allowed him to push their emotions and capture striking characters.
Mentored by Marie-Louise Bousquet, the Paris representative of Harper's Bazaar, Benoit started working for French Vogue at the young age of twenty.
PRESS & EXHIBITIONS
San Bernardino County Museum - Open to Interpretation Exhibition
San Bernardino Sun - Blue Cut Exhibition
BIOGRAPHY<p class=\"ql-align-center\"><span class=\"ql-size-large\" style=\"font-size: 1.5em;\">PRESS & EXHIBITIONS</span></p><p class=\"ql-align-center\"><br></p><p class=\"ql-align-center\"><br></p><p><a href=\"https://theievoice.com/in-memoriam-kathy-malphettes-1944-2024/\" target=\"_blank\" style=\"border-width: medium; border-style: none; color: rgb(235, 235, 235); letter-spacing: 0.4px;\">In Memoriam: Kathy Malphettes</a></p><p><br></p><p><a href=\"https://projecthighart.net/benoit-malphettes-capturing-lifes-essence-through-the-lens/\" target=\"_blank\" style=\"border-width: medium; border-style: none; color: rgb(235, 235, 235); letter-spacing: 0.4px;\">Project High Art Article</a></p><p><br></p><p><a href=\"https://www.ageist.com/profile/benoit-malphettes-77-freedom/\" target=\"_blank\" style=\"border-width: medium; border-style: none; color: rgb(235, 235, 235); letter-spacing: 0.4px;\">Ageist Article</a></p><p><br></p><p><a href=\"https://www.cambousa.com/benoit-malphettes\" target=\"_blank\" style=\"border-width: medium; border-style: none; color: rgb(235, 235, 235); letter-spacing: 0.4px;\">Cambo USA Article</a></p><p class=\"ql-align-center\"><br></p><p><a href=\"https://museum.sbcounty.gov/exhibits/view/open-to-interpretation/\" target=\"_blank\">San Bernardino County Museum - Open to Interpretation Exhibition</a></p><p class=\"ql-align-center\"><br></p><p><a href=\"https://theievoice.com/open-to-interpretation-visiting-benoit-malphettes-exhibition-at-the-san-bernardino-county-museum/\" target=\"_blank\">The IE Voice Article</a></p><p class=\"ql-align-center\"><br></p><p><a href=\"https://www.sbsun.com/2017/10/27/revisit-the-blue-cut-fire-through-the-lens-of-riverside-photographer-benoit-malphettes/\" target=\"_blank\">San Bernardino Sun - Blue Cut Exhibition</a></p><p><br></p><p><a href=\"https://theievoice.com/category/merchants-of-riverside/\" target=\"_blank\">Merchant of Riverside Exhibit</a></p><p><br></p><p><a href=\"https://www.youtube.com/watch?v=KKPRPftBK2E\" target=\"_blank\">Merchant of Riverside Video </a></p><p><br></p><p><br></p><p><br></p><p><br></p><p><br></p><p><br></p><p><br></p><p><br></p><p><br></p><p><br></p><p><br></p><p><br></p><p><br></p><p><br></p><p><br></p><p><br></p><p><br></p><p><br></p>
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